Sarah Wisseman, author: 2019

Thursday, October 24, 2019

Two new audiobooks!

I am thrilled to have two of the Flora Garibaldi Art History mysteries now available as audiobooks.
The first one is Burnt Siena, in which Flora discovers her Sienese conservation firm is involved in criminal practices:

The second is Catacomb, in Flora and her policeman boyfriend organize an international search for lost World War II art under the city of Rome:

Both are narrated by the talented Carrie Coello through acx.com/Audible, and both have new covers produced by Carrie's graphic designer husband, Ben Coello! Both books are available through Amazon, Audible, and ITunes.

For any author who has thought about doing audio editions but has not yet done it, I had a great experience with Audible/acx and would be glad to chat about it.

Monday, September 2, 2019

The Botticelli Caper is published!

The third mystery in my Flora Garibaldi Art History series, The Botticelli Caper, just appeared for sale on Amazon (as of September 1), in both trade paperback and ebook.

During my last trip to Italy with my daughter Emily, we visited the Uffizi in Florence. While Emily gazed at famous paintings and sculpture, I was busy studying unmarked doorways, security cameras, and guard placement to further the following plot:

“Conservator Flora Garibaldi discovers that several paintings in Florence’s Uffizi Gallery have been replaced by clever forgeries. Where are the original artworks, and who’s in charge of the smuggling operation? Flora’s efforts to help the police make her the target of a criminal mastermind and murderer.”

How could this happen? Today the Uffizi is a modern, well-protected museum. However, I deliberately set my story about ten years ago when the old palace that houses the Uffizi was undergoing the latest in a long series of renovations (security systems being revamped, lots of workmen coming and going, construction and packing materials always underfoot, etc.). When you also know that the Uffizi is connected by a tunnel to another palace on its north side and (via a famous bridge) to another palace on its south side, my plot becomes more plausible.

My other book news is the production of my novel Burnt Siena (the first Flora mystery) as an audiobook. Authors who retain their audio rights can produce their own audio editions through Audible/ACX (the audiobook wing of Amazon). Thanks to an amazing narrator, Carrie Coello, the process has been both fun and enlightening. Here is the audio cover (created by graphic designer Ben Coello):

The audiobook will be available on Amazon by mid-September.

Tuesday, July 9, 2019

New Editions of Earlier Books

Recently I received the rights back on two of my novels, The House of the Sphinx and The Bootlegger's Nephew from my former publisher Hilliard and Harris. Using Kindle Direct Publishing on Amazon, I created new covers and trade paperback and ebooks for each title. Here they are:

Buy the book

This cover was produced using my own painting (watercolor and Prisma pencil). It was a painting class assignment: paint two views of the same object on the same piece of paper. I made the eyes as sinister as possible:)

Buy the book

This cover uses a photograph of my grandmother Edith from the 1920s. Although the book title has "nephew" in it, the protagonist's daughter plays a larger role in the story. The new edition also includes a historical supplement about east central Illinois during the 1920s.

Both books are available in ebook format as well as paperback.

Interview with Sarah Underhill Wisseman

How did you become a writer?
My parents read to me when I was very little, and my father wrote two unpublished mysteries after he retired. My university job has always required writing, but I wrote mostly non-fiction until about 1998.

What is your background?
I grew up in Evanston, IL and Weston, MA. Since college, I have worked as a museum curator, database manager, conservation lab assistant, field archaeologist, archaeological scientist, cook on an archaeological dig, and dorm mother. I majored in Anthropology as an undergraduate, and that’s when I fell in love with archaeology and museum work.

Your books are about archaeology and museums. Do you have experience in those areas?
Yes. I’ve been on archaeological excavations in Israel, Italy, North Carolina, and Nevada. My museum experience began in college when I took a job as a museum guard at the Peabody Museum in Cambridge, Mass. Since then I have worked in five other museums in four different cities in registration, conservation, research, curation, tour-guiding, fund-raising, and database management.

Have you published other books?
Yes. Five books of non-fiction on ancient Greek vases, Greek archaeology, scientific methods in archaeology, and Egyptian mummies.

How did you become an archaeologist?
During my freshman year in college, a friend handed me a brochure about a summer archaeology program in Israel. I signed up and it changed my life. I went back for a junior year abroad, living in Tel Aviv and digging in the dessert around Beersheva and the Dead Sea area. I completed my graduate work (M.A. and Ph.D) at Bryn Mawr College in Classical and Near Eastern Archaeology.

Is “Bound for Eternity” based on real life?
Yes. At the University of Illinois, my colleagues and I conducted an investigation of an Egyptian mummy using X-ray, CT scanning, and other non-destructive analyses. I wrote about our results in several technical articles and then in a book for the general public called “The Virtual Mummy” which was published by the University of Illinois Press in 2003. The murder mystery grew out of that experience (of writing the non-fiction book).

Why Boston for your setting?
I grew up in a Boston suburb and went to high school and college in that area. Although I have lived in Illinois for over twenty years, I wanted to return home to Boston in my books since it is one of my favorite cities. Also, Cape Cod was my parents’ home after they retired.

Is your museum real?
No, but it is based upon a former attic museum at the University of Illinois.

Is “Dead Sea Codex” based on real life?
Yes and no. The story and characters are fictional, but the settings of Jerusalem, the Dead Sea, and the site of Masada are real and known to me from nearly two years of living and traveling in Israel in the 1970s.

Dead Sea Codex is a prequel for Bound for Eternity. Do you have plans for future books?
Yes. The third book, "The House of the Sphinx," is based on my recent trip to Egypt and will include both archaeology and bioterrorism. “The Fall of Augustus” will be set in Boston again and begins with a death by falling statue. In a later book in the series I plan to move the setting to James Barber’s hospital and create a mystery using my husband’s medical background.

Have you won any awards for your writing?
No, but I have placed in a couple of contests: I finaled in the 2004 St. Martin's Press/MALICE DOMESTIC CONTEST for the Best First Traditional Mystery Novel and won third place in the 2004 Leditslip contest for the Best Mystery Novel Proposal